Alberto Rosado Carabias

Piano contemporáneo

Press reviews

Alberto Rosado is a phenomenon crying out for universal recognition. There are few talented people like him for todays repertoire

Luis SUÑEN. El País.

Alberto Rosado is a fantastic pianist. Even in the most difficult passages, he always maintains control of the phrasing and a taste for detailed definition of the profile of every gesture.

Álvaro GUIVERT, La Razón.

Alberto Rosado, a first class pianist, fearless and flawless like a time—honoured knight, has conveyed Cristóbal Halffter’s work for piano to us in an exceptional way, with technique and an admirable conviction.

Carlos GÓMEZ AMAT. Diario El Mundo.

In the interpretations of the pianist Alberto Rosado we find rigor and sensitivity in quantities that are not easily found and less still, accumulated in one artist. Rosado pours his talent with special generosity into the study and defence of the music of his time.

José Luis GARCÍA DEL BUSTO: «El Cultural» de ABC.

Rosado is capable of pulsing with unusual force at the same time as providing an electric liveliness to a music drawn out to the abstract and turned it in on itself.


Their work for piano (Del Puerto, Sánchez Verdú, and López López), was offered by a player who knew how to immerse into it to extraordinary limits, with infallible fingers in silky gloves scarcely troubled by the speed that he appears to give it, demonised, with excellently graded pulsations and a musician at the service of an unquestionable present, truly admirable.


... Alberto Rosado was notably sensitive and fleet fingered in the rapid arabesque figures which feztured in much of the music heard throughout the festival, suggesting to some listeners a possible Spanish Quality within the lingua franca of contemporary musical idioms.

Strasburg Music Festival.

Alberto Rosado has shown again what a great pianist he is in Metáforas by Luis de Pablo

Quincena Donostiarra:

... the Spanish pianist Alberto Rosado gives his spirit to the Fantaisie op.17 the notes that closed his debut conveniently for the inner world of the pianist. The second movement was pure energy, to congratulate A. Rosado, like the finale that descends into Schuman’s inner world to bring a passionate hymn to an end. The pianist reveals his whole maturity accompanied by faultless technique.

Robert GENTON. Le Presse. (Suiza).

... the session still had another pleasant novelty, the young Salamancan pianist Alberto Rosado, a name that´s worth having on hand, he played the ‘albordada’ by Francis Poulenc marvellously.


... Alberto Rosado was excellent with a intense pulse and full intentioned sound only took front stage when necessary ...

Agustín ACHUCARRO. EL Mundo (C.y L.)

The pianist Alberto Rosado did a splendid version of ‘Voci del Fiume’ by Emilio Calandín


... Alberto Rosado played the compromising Concert for Piano by Béla Bartók in an absolutely convincing way. He brilliantly resolved the technical difficulties of this concert, with absolute precision of pulse and rhythm; he also showed his sensitivity as a chamber musician in the successive dialogues between the piano and the sections of the orchestra in the Adagio: the piano sounded like a flute with the flutes and percussion with the percussion ...

TRUJAMÁN. Tribuna de Salamanca.

... his interpretation along with the orchestra could be summed up in a few words: fluidity, lightness, total concentration, incisive, gracious and lots and lots of self confidence, so much so that that his perfect control of ‘Aubade’ by Poulenc allowed him on occasions to glance at the conductors gestures and even mentally control the other instruments entry.

CÉSAR RIVADENEYRA. La Gaceta Regional (Salamanca).

Pianista de indiscutible calidad, especializado en música actual, se ha convertido en intérprete de referencia tanto por sus excelentes grabaciones como por sus magníficos recitales.

Entrevista en Espacio Sonoro.

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Diseño gráfico, fondos, iconos y logos © 2006 Carlota. Traducción inglesa © 2005 Webmaster y diseño PHP - XHTML 1.1 - CSS 2 y CMS, © 2003 - 2019 Antonio L. Martín («piezas»). Contenidos,© 2003 - 2019 Alberto Rosado Carabias.
Salamanca, 20 del 02 de 2019